About

Debbie Doe is an electronic musician, sound artist, and founder of Sounds in Space. Having studied electroacoustics at Concordia University, their practice is shaped by spiritual journeys and immersive listening experiences, resulting in works with a cinematic and ceremonial presence.

At the core of their approach is the movement of sound in space, exploring how spatialization can guide perception, emotion, and states of awareness. Their compositions draw from electronic hardware, analog gear, field recordings, voice, and acoustic instruments—often played and sampled in unconventional ways—to create cohesive yet experimental sonic environments.

Specializing in intimate sonic explorations, Debbie crafts atmospheric compositions and live sets that invite deep listening and transport the listener into imagined worlds, where sound becomes both landscape and ritual.

selected
works

2024
BOGOTÀ at Agora Danse (Montreal)

2023
Musical composition for “States of Transmutation” exhibition in collaboration with AP&A @Mattress Factory (Pittsburgh)

2023
Original score for BOGOTÀ in collaboration with AP&A @ Biennale Di Venezia (Italy)

2022
Theatre of Dreams |A meditative 10-minute multi-channel sonic journey created for Habitat Sonore: Listening room @ Phi center.

2022
3D meta love | An original soundtrack created in collaboration with Ligne de fuites for a virtual reality fashion film.

2022
Awaken Dream | A 20-minute multi-channel sound immersion for the dome. (Substrat 2022)

2022
Theater of Madness is a 5.1 acousmatic composition of about 4 minutes in length. It is an auditory narrative and a loose adaptation of Harry Haller’s experiences in the Magic Theater from Herman Hesse’s Steppenwolf.
In collaboration with Michael Zajner.

2022
An original sound piece | 26min, for Children of Land in collaboration with Andrea Peña and Ballet Edmonton.

2022
An original soundtrack for a short film “UMBRA PENUMBRA ANTUMBRA”
by Process visual & Veronika Yemelyánova.

2022
Un passage is a binaural listening experience designed for headphones and SubPac.
Project Immersed (Toronto)

​2021
Winning prize from Desjardins
Le chant du canvas is an immersive work that invites you to explore a painting by hearing. An inclusive experience for visually impaired people. The main objective is to unveil a mental image in the participant's mind.

On the other hand, speakers are placed around the work to create an immersive musical structure containing sound atmospheres. Also, physical movement in space thus unveils the visual narration. Vibrating jackets that Subpac provided to support the sound and warn if leaving the immersion zone.

The facility is designed so that the visually impaired person will be able to feel safe and independent since physical landmarks are placed to serve as a guide to help them with their mobility. In addition, a sound source placed at a fixed point emits a sound that serves as a landmark and helps in spatial orientation.

2021
Orchestrated illusion is an exploratory sound journey in binaural.
(MUTEK selected gems from Canada)​

2021
Musical score, for a short film ‘Metamorfose Imperfeita’ by Tania Dos Santos

2019
Musical composition, for All Flesh is Grass : The Other theatre (Montreal)

2019
Real-time sound design , for a contemporary performance by Fréderique Rodier (Choreagrapher, interpret) Andréanne Martel (Sculptor, visual artist) entitles:
“À l’intérieur’’ (Galerie Joncas, Montreal)

selected performances

2025
Chakruna Tour — featuring
Poranguí, Kora, Debbie Doe & Evve (Live) at Théâtre Paradoxe (Montreal)

2025
Ceremonial Concert
A live spatialized performance with multi-instrumentalist Ivan Jagdish (CDMX) & Evve
at Akermus (Montreal)

2022
LIVE multi-channel performance in the dome, @ La Satosphère
(Montréal)

2021
LIVE performance, Plein air @ Oxygen (Montréal)
2021
LIVE performance, Expérience 6 @ MUTEK (Montréal)
2021
LIVE performance, 12H duration in collaboration with AP&A ,
Centre Phi (Montréal)
2019
DJ set, MAPP X MUTEK , (Moment Factory)
2019
LIVE performance, Stereo (Montreal)
2019
LIVE performance,  PY1 (Montréal)
2018
LIVE performance, Xenophile collective (Los Angeles)
2018
LIVE performance,  MUTEK  (Montréal)
2018
LIVE performance, TBA Brooklyn (NYC)

Training

2022
with David Ledoux
Immersive sound creation - Domes and installations.

2021 with Barry Truax
Online summer course in sound and audio.

Experiments

I’m always working on something on the side.

With Montreal-based artists, we are currently developing a physical space and a virtual platform for listening experiences and spatial audio creations for electronic music.
Reach out if that sounds interesting to you.